These three paintings are all made by the Netherlandish Renaissance artist Pieter Bruegel the Elder, some scholars believe that "The Fall of the Rebel Angels", "Dull Griet" and "The Triumph of Death" were probably painted for the same collector and destined to become part of a series. Now, it can be yours.
The Fall of the Rebel Angels (1562): Bruegel's depiction of this subject is taken from a passage from the Book of Revelation (12, 2-9)[2] and reveals the artist's profound debt to Hieronymus Bosch, especially in the grotesque figures of the fallen angels, shown as half-human, half-animal monsters.
The Triumph of Death (1562): In this setting, legions of skeletons advance on the living, who either flee in terror or try in vain to fight back. In the foreground, skeletons haul a wagon full of skulls; in the upper left corner, others ring the bell that signifies the death knell of the world. People are herded into a coffin-shaped trap decorated with crosses, while a skeleton on horseback kills people with a scythe. The painting depicts people of different social backgrounds – from peasants and soldiers to nobles as well as a king and a cardinal – being taken by death indiscriminately.
Dull Griet (1563): also known as "Mad Meg", is a figure of Flemish folklore who is the subject of a 1563 oil-on-panel by Flemish renaissance artist Pieter Bruegel the Elder. The painting depicts a virago, Dulle Griet, who leads an army of women to pillage Hell. Bruegel is thus making fun of noisy, aggressive women. At the same time he castigates the sin of covetousness: although already burdened down with possessions, Griet and her grotesque companions are prepared to storm the mouth of Hell itself in their search for more.