{"title":"THE RUSSIAN AWAKENING","description":"\u003cp\u003eAt the beginning of 20th century, Russian art woke up from an imperial dream of \u003cem\u003eRococó, \u003c\/em\u003eto the mighty power of the suprematism.\u003c\/p\u003e","products":[{"product_id":"black-square-kazimir-malevich","title":"BLACK SQUARE | KAZIMIR MALEVICH","description":"\u003cp\u003eThis iconic painting by Kazimir Malevich was done in 1915. It was shown in The Last Futurist Exhibition 0,10 in 1915. The work is frequently invoked by critics, historians, curators, and artists as the \"zero point of painting\", referring to the painting's historical significance and paraphrasing Malevich.\u003c\/p\u003e","brand":"santiago-teststore","offers":[{"title":"Default Title","offer_id":34561487011993,"sku":"PAINT50","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0400\/8499\/6249\/products\/766px-_____._1915..png?v=1591302665"},{"product_id":"супрематизм-kazimir-malevich","title":"Супрематизм | KAZIMIR MALEVICH","description":"\u003cp\u003eIn 1915, Malevich laid down the foundations of Suprematism when he published his manifesto, From Cubism to Suprematism. In 1915–1916 he worked with other Suprematist artists in a peasant\/artisan co-operative in Skoptsi and Verbovka village. In 1916–1917 he participated in exhibitions of the Jack of Diamonds group in Moscow together with Nathan Altman, David Burliuk, Aleksandra Ekster and others.\u003c\/p\u003e","brand":"santiago-teststore","offers":[{"title":"Default Title","offer_id":34561535344793,"sku":"PAINT51","price":1650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0400\/8499\/6249\/products\/888px-Kazimir_Malevich_-_Suprematism_-_Google_Art_Project.jpg?v=1591302840"},{"product_id":"beat-the-whites-with-the-red-wedge-lissitzky","title":"BEAT THE WHITES WITH THE RED WEDGE | LISSITZKY","description":"\u003cp\u003eThis painting is a replica of the propaganda poster by artist Lazar Markovich Lissitzky, better known as El Lissitzky, \"the man through whose exertions the new Russian ideas became generally understood in Western Europe\". In the poster, the intrusive red wedge symbolizes the Bolsheviks, who are penetrating and defeating their opponents, the White movement, during the Russian Civil War. It is an example of Constructivism.\u003c\/p\u003e\n\u003cp\u003eThe image became popular in the West when Lissitzky moved to Germany in 1921. It is considered symbolic of the Russian Civil War in Western publications.\u003c\/p\u003e","brand":"santiago-teststore","offers":[{"title":"Default Title","offer_id":34561584332953,"sku":"PAINT53","price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0400\/8499\/6249\/products\/Klinom_Krasnim_by_El_Lisitskiy__1920.jpg?v=1591303056"},{"product_id":"kestnermappe-proun-lissitzky","title":"KESTNERMAPPE PROUN | LISSITZKY","description":"\u003cspan\u003eLissitzky subscribed fully to suprematism and, under the guidance of Malevich, helped further develop the movement. In 1919–1920 Lissitzky was a head of Architectural department at the People's Art School where with his students, primarily Lazar Khidekel, he was working on transition from plane to volumetric suprematism.\u003c\/span\u003e","brand":"santiago-teststore","offers":[{"title":"Default Title","offer_id":34561886748825,"sku":"PAINT54","price":1570.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0400\/8499\/6249\/products\/751px-Lazar_El_Lissitzky_-_Kestnermappe_Proun__Rob._Levnis_and_Chapman_GmbH_Hannover_-5_-_Google_Art_Project.jpg?v=1591303911"},{"product_id":"molle-rudesse-kandinsky","title":"MOLLE RUDESSE | KANDINSKY","description":"\u003cp\u003eKandinsky was one of \"Die Blaue Vier\" (Blue Four), formed in 1923 with Paul Klee, Lyonel Feininger and Alexej von Jawlensky, which lectured and exhibited in the United States in 1924. Due to right-wing hostility, the Bauhaus left Weimar and settled in Dessau in 1925. Following a Nazi smear campaign the Bauhaus left Dessau in 1932 for Berlin, until its dissolution in July 1933. Kandinsky then left Germany, settling in Paris.\u003cbr\u003e\u003c\/p\u003e","brand":"santiago-teststore","offers":[{"title":"Default Title","offer_id":34562065563801,"sku":"PAINT55","price":1700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0400\/8499\/6249\/products\/Vassily_Kandinsky__1927_-_Molle_rudesse.jpg?v=1591304439"},{"product_id":"on-white-ii-kandinsky","title":"ON WHITE II | KANDINSKY","description":"\u003cp\u003eGeometrical elements took on increasing importance in both Kandinsky's paintings, particularly the circle, half-circle, the angle, straight lines and curves. This period was intensely productive. This freedom is characterised in his works by the treatment of planes rich in colours and gradations as in \u003cem\u003eOn White II\u003c\/em\u003e (1923), where Kandinsky illustrates his distance from the constructivism and suprematism movements influential at the time.\u003c\/p\u003e","brand":"santiago-teststore","offers":[{"title":"Default Title","offer_id":34562185592985,"sku":"PAINT56","price":1650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0400\/8499\/6249\/products\/Vassily_Kandinsky__1923_-_On_White_II.jpg?v=1591304790"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0400\/8499\/6249\/collections\/Kazimir-Malevich-courtesy-of-100architects.com.jpg?v=1591302271","url":"https:\/\/santiago-teststore.myshopify.com\/collections\/a-russian-dream.oembed","provider":"santiago-teststore","version":"1.0","type":"link"}